"I am called Vera Bühlmann.
My name is not the origin of my writing, it is the first place at which writing becomes answerable. A name does not produce a work. It receives it into public address.
Every work exceeds the circumstances of its composition. It gathers languages older than itself, instruments it did not invent, conversations whose beginnings cannot be located, readers who have not yet appeared. A name neither contains nor precedes this gathering. It gives the gathering a place.
For this reason one name is sufficient for attribution. It is not always sufficient for articulation. I do not understand the proper name as the expression of an interior life. A proper name is an instrument of orientation. It establishes where a work may be answered, continued, corrected, translated, or remembered.
To sign is therefore not to claim possession. The signature does not say: this belongs to me. It says: here the work may continue without becoming anonymous and placeless."
"I am called Andrea Collinari.
I am not another author. I am the same signature after translation. Nothing has been concealed. Nothing has been fictionalized. Only the language has changed.
This change is not secondary. Translation does not follow thought. It belongs to the conditions under which thought becomes capable of public life. For this reason I am not an alias. Nor a pseudonym. Nor a literary mask. I am a continuation.
A surname has been translated literally. A first name has moved from the civic order into the order of address. The proper name has become capable of another articulation without ceasing to designate the same life. This is not multiplication. It is inflection. One language establishes recognition. Another reopens meaning.
Between them the work discovers that authorship is less an identity than a practice of translation. The signature therefore does not conclude the text. It performs its first operation."
The Portico at the Shore
Vera Bühlmann is a Swiss writer whose work translates between the emerging objective vernaculars in the public life of contemporary thought, working at the intersections of philosophy, the arts, mathematics, natural philosophy and media theory, and architecture. She is Professor of Architecture Theory and Director of the Research Unit Architecture Theory and Philosophy of Technics (ATTP) at the Institute of Architectural Sciences, Faculty of Architecture and Spatial Planning, Technische Universität Wien (TU Vienna) since 2016.
Together with Ludger Hovestadt, Marcel Alexander Niggli and Alain Joset, she is co-founder of the Tuscan Meteora Academy Buti near Pisa and Lucca, Italy, a place for academic stays and studies, group retreats, seminars and workshops and convivial hospitality for polymath intellectual life in general.
From 2021 to 2026, Bühlmann served on the Hochschulrat of the Universität der Künste Berlin. Previously, she co-founded and co-directed, together with Ludger Hovestadt, the Laboratory for Applied Virtuality at his Chair for Digital Architectonics, ETH Zürich (2010–2025). From 2012 to 2013, she was a guest researcher at the Future Cities Laboratory of the National University of Singapore. After studying philosophy and English language and literature in Zürich, she received her PhD in media studies from the University of Basel in 2009, titled Inhabiting Media. Annäherungen an Herkünfte und Topoi medialer Architektonik.
Here are links to some of her publications.
Meteora Studio
Sheaves
The Digital,
Mathematics & Information
Die Nachricht,
Convivia Filth
A Genius Planet
A Quantum City
Printed Physics
Domesticating Symbols
Coding as Literacy
Symbolizing Existence
Ghosts of Transparency
Eigen ArchitectureLoading…